Jemma Leigh Roe

Mist and Mountains, watercolor on Fabriano paper, 76 x 112 cm, 2021

Christopher Squier

Disturbances (capital), pigmented graphite on Bristol vellum, 11 x 17 inches, 2021. Disturbances (erosion), pigmented graphite on Bristol vellum, 11 x 17 inches, 2021. Disturbances (ornament), pigmented graphite on Bristol vellum, 11 x 17 inches, 2021.

Josh Stein

#347 Pebbles XIII, Metallic and Iridescent Acrylics on Canvas, 48” x .75” x 36”, 2021 #358 Coiled Pinwheels, Metallic and Fluorescent Acrylics on Canvas, 36” x .75” x 48”, 2022

J’Atelier9

RED CLIMATE, Acrylic Paint, Spackle, Repurposed Mixed Media, Reclaimed Cardboard, Ephemera, Newsprint, 30“L X 25.5“H, 2022

Ian Wells

One Small Step – Optical Microscopy – 16”x20” – 2021 Topography – Photography – 20”x13.3” – 2022 Worlds – Microscopy – 19.2”x12” – 2023 Between the Lines – Optical Microscopy – 16”x20” – 2021

Robin Young

Leaf Me Alone, Analog Collage, 4″x6″, 2023

Volume 15.1

2022 EMERGING WRITERS CONTEST RESULTS POETRY FICTION NONFICTION Cover Art by Cameron Kester

Charles Borges Accardi

Shower Venice Beach I, 2009 Dead Bulb, 2009 Out the Window, 2009 Peephole, 2009 Yellow Dish, 2009

First Things 1:1-8

Every step toward comprehension was a mistake / or every mistake a step.

Without Blue

If I see a mirror / in this poem, the mirror, like everything, / turns into blue mother.